August 25, 2017

Dolby Cinema

1275 Market Street, San Francisco
Doors open: 6:00p (close 6:30p sharp)
Free Admission | RSVP required

In celebration of Dolby Atmos®, Dolby Gallery and Soundwave present SonicLAB ((8)) — a special evening of live performances by San Francisco-based sound artists Shane Myrbeck, Emily Shisko, and Cullen Miller in the Dolby Cinema at 1275.

September 14, 2017

Sporegloss Bug Train Xenophoria

Gray Area Theater
2665 Mission Street, San Francisco
Doors at 8pm; Performances at 9pm
$7-$10 sliding scale | Advance tickets

Artists Porpentine Charity HeartscapeNeotenomie, and Rook will summon a dimensional portal to a xenoplastic ecosystem. The three artists are known for their experimental multimedia collaborations, and have been commissioned by Rhizome and exhibited in the 2017 Whitney Biennial. The Gray Area event will feature a newly commissioned piece by Heartscape, Neotenomie, and Rook, irradiating Gray Area with mutant infrastructures alien and familiar.


Tanya Gayer is a curator and writer based in Oakland, CA. Her curatorial projects and research examine the state of the archive in digital technologies, algorithmic culture, and performance-based new media. Gayer received her dual masters degree in Curatorial Practice and Visual + Critical Studies from California College of the Arts and her BFA from University of Nevada, Reno.

Her previous curatorial projects have been exhibited at CTRL + SHFT Gallery (Oakland, CA), Wattis Institute for Contemporary Arts (San Francisco, CA), Pro Arts Gallery (Oakland, CA), Hayes Valley Art Works (San Francisco, CA), Embark Gallery (San Francisco, CA), Some Thing Spacious (Oakland, CA), Adobe Books Backroom Gallery (San Francisco, CA). In November 2017 she will attend a researcher-in-residence at Signal Culture. She is currently the Exhibitions Manager at Sonoma Valley Museum of Art.

October 13, 2017

Body Atlas

654 Mission Street, San Francisco
Time TBA | Tickets available soon

Featuring performances by Anna Luisa Petrisko and Wizard Apprentice


Dorothy R. Santos (b. 1978) is a Filipina-American writer, editor, curator, and educator whose research interests include new media and digital art, activism, artificial intelligence, and biotechnology. Born and raised in San Francisco, California, she holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco, and received her Master’s degree in Visual and Critical Studies at the California College of the Arts. In the fall of 2017, she will be a doctoral candidate in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow.

Her work appears in art21, Art Practical, Daily Serving, Rhizome, Hyperallergic, Real Life Magazine, Vice Motherboard, and SF MOMA’s Open Space. She has lectured at the De Young museum, Stanford University, School of Visual Arts, and more. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is currently a Yerba Buena Center for the Arts fellow researching the concept of citizenship.

November 2, 2017

Networked Utopias

Contemporary Jewish Museum
736 Mission Street, San Francisco
Time TBA | Tickets available soon

In partnership with the Contemporary Jewish Museum, Networked Utopias will feature two collaborative audiovisual performances investigating our evolving online and interconnected lives, and illuminating the signal artifacts of our networked platforms. Cullen Miller and Gabriel Dunne will premiere a new location based audiovisual performance in response to the Yud Gallery. Musician Lavender will be accompanied by visualist Chelley Sherman who will use audio reactive software to create generative landscapes interpreting signal transmissions within the Yud.


Tiare Ribeaux is a Hawaiian-American new media artist, curator and community organizer whose work explores materiality, infrastructures, and environment. Her work seeks to provoke conversation and uncover hidden truths around opaque global industrial and socio-economic systems that are omnipresent yet often invisible in our day-to-day lives. She has been a Bay Area based curator and producer of visual arts, performance arts, and community events focused on innovation and radical inclusivity for over 5 years.

She has a background in fashion design and biotechnology and is interested by shanzhai, deep/dark/media ecologies, speculative futures, and collaborative entanglements. She is currently the Director of B4BEL4B Gallery, on the curatorial team of the REFRESH Biennial, and doing an artist exchange fellowship as part of the 2018 ZERO1 American Arts Incubator.